Courtney Fairchild
11 Chances
Stanley Recordings
By Al Kaufman
In 2006, Courtney Fairchild divorced her husband, left her friends, and moved from her hometown of Dallas, Texas to Philadelphia, Penn. The result was her 2007 album, Quit. The following summer, sequestered in her friend's guest house with huge amounts of bourbon and a high fever, she realized she still had not exorcised all her demons and 11 Chances was born.
Continue reading "CD Review: Courtney Fairchild -- 11 Chances" »
The Noisettes
Wild Young Hearts
Mercury
By Chris Homer
With their second album and debut for Mercury Records, The
Noisettes continue their unique blend of soulful pop and electro-dance music.
Judging from the five song press sampler of Wild
Young Hearts alone, it is easy to see the UK trio’s versatility.
Vocalist Shingai Shoniwa has a powerful voice that brings to
mind the style of Atlanta’s
own Janelle Monae. She uses it with great success on “Never Forget You,” where
swooning orchestral lines mix beautifully with a simmering bass part. The
overall effect of the song is like being transported back to the 1960s at the
height of soul and R&B. However, The Noisettes aren’t merely imitating this
sound, the band still sounds believable when compared to other artists of the
past era.
Continue reading "CD Review: The Noisettes – Wild Young Hearts" »
Company of Thieves
Ordinary Riches
Wind Up Records
By Eileen Tilson
Oscar
Wilde was one of the greatest celebrities of his time. He ran with the upper
circles, hobnobbing with the rich through his status of famed playwright. He had
an uncanny ability to remain in-tune with his culture and upper-class society,
and yet made fun of them in his work. He famously reflected that “Ordinary riches can be stolen, real riches cannot.
In your soul are infinitely precious things that cannot be taken from you.”
His
words resonated deeply with Chicago-based trio Company of Thieves, whose debut
album Ordinary Riches was not only based upon, but their first single,
“Oscar Wilde,” is directly dedicated. The band's driving force is to create songs
that give a cinematic view of a world full of turmoil, all while trying to
reveal the deeper truths. And yet, it is singer Genevieve Schatz’s voice that
grabs your attention. “We’re influenced by a lot of different
artists,” Schatz adds. “Everything from jazz and Motown to Billie Holiday and The Beatles. Seeing how they expressed themselves helped us to figure out
another way to express ourselves in music.”
Continue reading "CD Review: Company of Thieves -- Ordinary Riches" »
Wilco
Wilco (The Album)
Nonesuch Records
By Eileen Tilson
Perhaps it’s the fact that there is a camel named
Alfred on their latest album appropriately titled, WIlco (The Album), that gives
the indication that after 15 years of migraines, drugs, band fights, anxiety and
depression, Wilco has finally decided it is time to lighten up. After years of
Woe is Me Wilco, Jeff Tweedy has come out with an album that wants to have some
fun. This is the seventh album from the band, and rose quickly to their third
top 10 album in the U.S. pop charts.
Continue reading "CD Review: Wilco -- Wilco (The Album)" »
In September of 2007 I was a panelist at the Atlantis Music
Conference in Atlanta.
It was basically a session where several colleagues from different labels and I
shared with the attendees our knowledge of the industry; everything from what
we look for in a band, to how to find a good manager to how not to
behave at an A&R panel (e.g. don’t argue with the panelist when they tell
you your hybrid of rock and rap is a bit dated).
I’ll never forget looking out into the capacity crowd and
noticing a young band sitting on the front row eagerly listening to everything
we were saying. I think one of them was actually taking notes. I was struck by how
young they looked, and how much they stood out from the majority of the rest of
the bands in the audience. There was something different about them for sure.
After the panel I stepped off the stage and into the seated area
to collect demos from the bands that were handing them out. As I was stepping
down, one of my colleagues who had refused to accept demos that day said to me,
“What? Do you think you’re actually going to find a band out there that will
actually be worth listening to?” Maybe.
Continue reading "Music Man--All Grown Up" »
Destroyer
Trouble in Dreams
Merge Records
By Micah
McLain
Dan Bejar makes unique music - whether it be flawless indie rock
as a part of the New Pornographers, challenging avant-garde pieces with Swan
Lake or laid-back orchestral pop under the cover of Destroyer. Trouble in
Dreams, Destroyer's eighth release on the Merge imprint, picks up right
where his previous effort (2006's excellent Destroyer's Rubies) left off.
The songs are built up through the use of acoustic guitar with the gradual
addition of keys, percussion and electric guitar.
Trouble in Dreams is
more of a "studio" album than Bejar usually makes under the Destroyer moniker,
as it takes on a much dreamier, layered sound when compared to his earlier
work. Bejar continues to employ his impressively lazy drawl, making it sound as
if he's simply wandering through the songs draping his lyrics over the sparse
drum beats and atmospherics.
Continue reading "CD Review: Destroyer -- Trouble in Dreams" »
T Bird and the Breaks
Learn About It
By Al Kaufman
T Bird and the Breaks bring the funk. They bring the soul. The bring the horns, the soul, the swagger, the sweat and everything else that comes with being a 10-piece soul/funk ensemble.
While critics have been drooling over themselves trying to come up with comparisons for Black Joe Lewis to James Brown, Austin bands have been performing the horn-drenched soul/funk thing for years, and T Bird and company are just the latest incarnation. However, after just a year in existence, they have already garnered wide attention in the Live Music Capital of the World, including during their riveting SXSW showcase.
Continue reading "CD Review: T Bird and the Breaks -- Learn About It" »
Dave Daniels
Just Like Ghosts
By Al Kaufman
Atlantan, by way of Florida, Dave Daniels has a cute little story in the liner notes of his CD. It seems he was arrested for jaywalking and when the jail guard asked him what type of music he played, he couldn't answer him. The angry guard locked him up for the night. Daniels ends his story with this line: "On this record, finally, I can answer him with just one word: American."
Continue reading "CD Review: Dave Daniels -- Just Like Ghosts" »
Elonzo
All My Life
By Eileen Tilson
Dan Bourdeau, drummer for South Carolina band
Elonzo, explains that a lot of the inspiration his wife and brother-in-law
received in putting together their debut album, All My Life, comes from
the post-Victorian home on E. White St. in Rock Hill, S.C., that the three of
them live in: “It remains beautiful despite being a bit dilapidated.” This
illusion provides the perfect back drop to Elonzo’s sound. Despite the fact that
their songs are simple and dripping of sad introspection of a self proclaimed
sinner, they are an honest representation of a sweet southern town, in which
time seems to stand still.
Continue reading "CD Review: Elonzo -- All My Life" »
Drew Smith
Drew Smith's Lonely Choir
Fat Caddy Records
By Al Kaufman
Austinite Drew Smith is everything that's right with CDs, both musically and aesthetically. For the visual sense, this is a gorgeous CD. Dave Schwab's intricate pen and ink drawings are whimsical, and the artistry on the liner notes is brilliant. This is a wonderfully packaged CD.
What is so amazing is that the music is just as great. Andrew Smith is a gifted songwriter who wears his influences on his sleeve. In case you wondered who they are, he opens the CD with the bouncy piano tune, "Nilsson Sings Newman," about a loserish guy who thinks his life will get a little better if he can convince his girlfriend to listen to Harry's album of Randy's songs.
Continue reading "CD Review: Drew Smith -- Drew Smith's Lonely Choir" »
I find and develop bands for a major label. People often ask
me what a typical day looks like for someone who does what I do. The truth is
there isn’t a typical day. Each day is very different from the next, each day
is unpredictable…
A couple of months ago I flew to Chicago to meet an artist that a friend of
mine told me about. He sent me her music over iChat one afternoon, and I
instantly loved what I heard. It took me back to early nineties-era Liz Phair or
Sheryl Crow. The attitude was cool, the lyrics (which she also wrote) were
mature, and the song itself sounded like something I would listen to regularly.
It sounded like something everyone would listen to regularly. He then told me
the artist’s age…ELEVEN. I couldn’t believe it. Given the caliber of music I
would have put money on her being in her early to mid-twenties with a lot of
song-writing under her belt, but nope-ELEVEN. I had to see for myself so I
quickly booked a trip to Chicago to meet her and her, well, parents (I can honestly say that this was the first
time I met an artist that was interested in working with whose parents were my
age). I wasn’t sure what to expect when I got to there, but it turns out she was the real
deal. She had a solid voice live, she was a good guitar player, and she had that
“it” factor that we all look for, but can’t quite place our finger on what “it”
is.
Continue reading "Music Man--I've Got Friends (For Now)" »
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