The Empties
The Empties
Slush Fund Records
By Eileen Tilson
There must be something in the water of Athens. It
draws musicians in like the Pied Piper, giving them the belief that maybe one
day Micheal Stipe or John Bell is going to walk into Tasty World on the night
you are playing and decided to take your band on the road. There is an invisible
fortress around the city that likes to proclaim from their towers that Athens is
a Music Mecca, and thus everything that comes from Athens has the Midas touch.
This was at least the case with longtime friends Ben Willis and Matt Knutson of
The Empties, when they decided to pack up their catchy lyrics and pop rock
tunes, and leave their hometown of Denver for the mysterious indie-Hollywood
known as Athens, Ga.
Continue reading "CD Review: The Empties -- The Empties" »
By Scott Roberts; photo by Sue
Volkert
During the initial heyday of Athens
music back in the early to middle 1980s, most of that city’s bands were
purveying either a sort of quirky, danceable artsiness (Pylon, Love Tractor,
Method Actors) or a folk-fueled, Southern jangle-pop (REM, Buzz of Delight, Art
in the Dark). One band, however, opted for a more muscular, classic-rock
approach to their still melodic music that made them stand out from the crowd.
That band was Dreams So Real, who reunited for the first time in nearly a
decade to play AthFest 2009.
Continue reading "Live Review: Dreams So Real at AthFest, June 28" »
I find and develop bands for a major label. It’s called
A&R (Artist & Repertoire). It’s a great job, maybe the greatest in the
world, at least in my opinion. People
often ask me what a typical day looks like for someone who does what I do. The
truth is, there isn’t a typical day. Every day is very different from the next,
each day is unpredictable.
“ATL-LGA”--That’s what my Twitter feed says once or twice a
month as I make my way to our New York office for my monthly (or bi-monthly)
meetings. The most recent trip was two weeks ago, and it didn't just include the usual meetings I go up for, this trip was way cooler.
Continue reading "Music Man--Late Night TV" »
Regina Spektor
Far
Sire
By Al Kaufman
Regina Spektor is a poet. As such, she has license to be nonsensical and downright weird if she so desires. She can talk about making a "computer out of macaroni pieces," or boldly state that "blue is the most human color." But she can also utilize beautiful metaphor. When she says, "It's like forgetting the words to your favorite song," like she does on "Eet," she creates an extremely relatable line. But Spektor continues to delve into the subject deeper and deeper, making it feel more and more personal.
Continue reading "CD Review: Regina Spektor -- Far" »
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