By Samantha Parvin
Quiet, soulful pop singer and songwriter David Mead began
touring recently in support of his latest and fifth full-length album, Almost
and Always. Mead will play at
Eddie’s Attic on September 17, so AMG caught up with him to ask about the tour,
the album, and what to expect at the show.
Tell me about your newest album, Almost and
Always. It’s your fifth full-length
album – what were you trying to achieve, or what did you do differently, if
anything?
The biggest difference is there’s such sparse
production on this album. Also, a lot of
it is about the end of a relationship, and we’ve taken a very straight forward,
conversational approach musically - kind of leaving it open and bare. Several of the songs were co-written with
Bill DeMain. He’s a really good
lyricist, and he approaches writing differently than I do. Our combining our ideas and techniques
offered a lot more variety of stories and subjects than on my previous records.
What has the collaboration with Bill DeMain done for
your style and thought process as a creator? Would you say he inspired you or refreshed your creativity?
He really did inspire me. He really pushed me to write more about
detail and see the glory in the mundane. Bill can write about anything. For instance, writing a song like “Mohave Desert Phone Booth.” In the short story, it kind of became this
pilgrimage to go to this phone booth in the middle of the Mohave Desert. The number got circulated around the world
and people would call it, and if someone happened to answer, they would have
this random conversation. So Bill wanted
to develop it, and he wrote the song “Mohave Desert Phone Booth” and related
the phone booth to the feelings of being alone and isolation. I wouldn’t write about things like that if
Bill didn’t show me how to see those details in such random encounters as his
finding that story.
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